Our Lands are
Not Lines On Paper
Shan Goshorn
2012
10”X 7”X7”
Arches watercolor
paper splints, first printed with archival inks.
Photograph of the Great Smoky Mountains combined
with historical map of Cherokee territory. Traditionally, we used natural
landmarks to establish boundaries. Settlers brought a new way of regarding land
and marking ownership. Traditional pattern is known as both mountain and river
design.
So Long as
These Waters Run
Shan Goshorn
2012
12.5”X8”X8”
Arches watercolor paper
splints, first printed with archival inks.
Photograph of Oconoluftee River in Cherokee NC
combined with maps showing decrease of Original Cherokee Territory to Final
Cession. This is a single-weave basket technique; the paper is printed on both
sides and the map is readable from the inside as well as exterior. The title
was inspired by the following research:
As for the Cherokees, they faced a set of laws passed by Georgia:
their lands were taken, their government abolished, all meetings prohibited. Cherokees
advising others not to migrate were to be imprisoned. Cherokees could not
testify in court against any white. Cherokees could not dig for the gold
recently discovered on their land. A delegation of them, protesting to the
federal government, received this reply from Jackson's new Secretary of War,
Eaton: "If you will go to the setting sun there you will be happy; there
you can remain in peace and quietness; so long as the waters run and the oaks
grow that country shall be guaranteed to you and no white man shall be
permitted to settle near you."
Artificial
Boundaries (River and Mountains)
Shan Goshorn
2012
11” X 8’X 8” EACH
Arches watercolor
paper splints, first printed with archival inks.
Photographs of the
Oconoluftee River and the Smokey Mountains (from the ancestral homeland of the
Cherokees) combined with historical maps showing the decrease of Cherokee
lands. Indigenous people think of boundaries in terms of natural landmarks - the
settlers brought a conflicting way of understanding regarding land usage and
ownership.
Forever a Part
of Us
Shan Goshorn
2012
2 X 3 X 3”
Arches watercolor
paper splints, first printed with archival inks.
Double-weave basket featuring reproduced documents
and images from Carlisle Boarding School student roster (names and tribes) and
Captain Richard H. Pratt’s address where he coined the phrase “Kill The Indian,
Save The Man”.
Forever Woven
Into Our Fabric
Shan Goshorn
2012
13” X 16” X 16”
Archival watercolor
paper splints, first printed with archival inks.
Double-weave basket
woven with names from Carlisle Indian Boarding school student body (red) with
boarding school manifesto, “Kill The Indian, Save The Man”(white). Even after
several generations, the insidious influence of this boarding school in
particular continues to have devastating effects on native people.
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